The Elements and Principles of Design
The design
process is an important editing function that is often overlooked.
The
designerÕs job is to act as a strategic thinker whose job it is to package
content so that it can be read.
There are
many strategies a designer employs in the design process.
What is
Design?
Design can
refer either to the way a piece is organized or to the piece itself.
When someone
says ÒThat is a great design!Ó they are recognizing a sense of visual order -
different parts brought together to make a whole.
Every creative process has its own tools and ingredients.
Writers use
paper and pen or computers to put together the ingredients of language such as
nouns and verbs.
Designers
use pens, markers and paper or computers to combine the basic ingredients of
design: the elements of design
n LINE
n SHAPE and FORM
n VALUE
n COLOUR
n SPACE
n TEXTURE
Lines may be the path made by a pencil or brush, lines are also formed when two objects meet or overlap
Structural Hold the
design together
Outline Are
the contour
Line
Personality Characteristics
that convey mood
Implied Line
Suggested
lines
Similar to
a silhouette or an outline a SHAPE is two dimensional
FORM
describes something with three dimensions; length, width, and depth.
Geometric
and Organic
Curved
and Angular
Positive
and Negative
Static
and Dynamic
The range of
light and dark.
Light
values Depict
happiness or warmth.
Dark values Depict
gloominess or cold.
Value
contrast Help
distinguish different parts of a design.
One of the
most exciting and powerful aspects of our environment is colour.
Properties of Colour
The colour
wheel best illustrates the relationships among colours.
Primary
Colours
Secondary
Colours
Intermediate
Colours
Complementary
Colours
Analogous
Colours
Split
Complementary Colours
Triadic
Colours
Warm and
Cool Colours
In two
dimensional work space relates to:
Positive
is the object itself.
Negative is
the area around it.
Illusion
of depth is achieved by position, overlapping, size, variation, colour and
value.
Texture
Texture relates to the surface qualities of a design.
Implied
textures are those that are simulated, or invented.
To help
them combine the elements of design effectively, designers follow certain
guidelines or principles.
These
principles are like recipes for design that have worked for a long time.
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Balance
Symmetrical
balance
Approximate
symmetry
Asymmetrical
balance
Radial
balance
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Unity
The
combination of parts to create a wholeness.
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Dominance
A
single element that plays a major part in the design.
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Contrast
The
larger differences in the elements of a design.
The
use of shape, form and size allow a designer many opportunities to
create contrast.
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Emphasis
The
significance or importance that is given to something.
Emphasis
can be achieved through placement an grouping
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Pattern
Pattern
is the repetition of one or more elements.
There
are:
Planned
patterns which are a precise, regular repetition of motifs.
Alternating
patterns which use more than one motif or form of repetition.
Radial
patterns which are based on branching our from a central point. Boarders and
Bands are a decorative way to add pattern and enrich a surface
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Movement
& Rhythm
Wholeness
or harmony can be achieved through the use of colour or repetition of forms.
Movement
creates a path for the viewerÕs eyes to follow across a composition.
Visual
Rhythm is produced by the repetition of one or several elements of a design.
There
are a variety of visual rhythms.
-
Regular
-
Flowing
-
Alternating
Using Placement and Grouping
In
Western culture, we read from left to right and top to bottom. The significance of this eye movement
from upper left to lower right permits
designers
to create emphasis through placement
The
concept of ideal locations for the placement of subject matter has been
an
important part of design since ancient Greece.
The
rule of thirds shows the ideal positions for an artworks centre
of
interest.
The
rule of thirds or triadic grid can be seen in art throughout time.
Typography is an important compositional element.
Readable
type communicates content clearly.
Serif - tiny marks at the end of a letter stroke
San serif
- letter strokes have no serifs
Script
& Decorative type looks like handwriting or art work, they are novelty or
display styles
Dominance
The typography calls attention to itself and becomes the
focal point.
Movement
The
typography moves the reader across the page.
Contrast
The typography alternates in size, format, shape, weight, and/or colour to spark visual interest.
Emphasis
The typography
varies in size and placement producing an order in the the hierarchy of
typography.
Dynamic compositions employ the elements and principles
of design in their
visual and typographical structure.